
HazzaProd
Categories
Web Design, Framer Development
Client
H. White
Project
HazzaProd
Services
Art & Design Direction Motion Web design Framer Development
Year
2025
HazzaProd works in competitive esports, where clarity, reliability and trust determine who gets hired. His work spans RLCS, CRL Worlds and other large-scale productions, but he did not have a central space that explained his role or presented his capabilities with structure. Most communication in esports happens fast and across fragmented channels, making it difficult for organisers and teams to form a complete picture of what he brings to a production.
The challenge was to create a portfolio environment that communicates his responsibilities with precision and gives potential partners a clear, immediate understanding of his expertise.
HazzaProd works in competitive esports, where clarity, reliability and trust determine who gets hired. His work spans RLCS, CRL Worlds and other large-scale productions, but he did not have a central space that explained his role or presented his capabilities with structure. Most communication in esports happens fast and across fragmented channels, making it difficult for organisers and teams to form a complete picture of what he brings to a production.
The challenge was to create a portfolio environment that communicates his responsibilities with precision and gives potential partners a clear, immediate understanding of his expertise.



We treated broadcast production as a craft built on preparation, discipline and technical accuracy. The portfolio begins with a focused introduction to his role, followed by a concise breakdown of his services and experience. The visual language is restrained, using type, spacing and rhythm to keep attention on the work rather than decoration.
Framer was chosen as the foundation to allow modular growth. New productions, testimonials or updates can be added without disrupting the underlying structure. The result is a controlled framework that reflects the order and consistency that define Hazza’s approach to production.
We treated broadcast production as a craft built on preparation, discipline and technical accuracy. The portfolio begins with a focused introduction to his role, followed by a concise breakdown of his services and experience. The visual language is restrained, using type, spacing and rhythm to keep attention on the work rather than decoration.
Framer was chosen as the foundation to allow modular growth. New productions, testimonials or updates can be added without disrupting the underlying structure. The result is a controlled framework that reflects the order and consistency that define Hazza’s approach to production.

The final portfolio gives Hazza a dedicated home for his work. It communicates his responsibilities clearly and shows the scale of the productions he contributes to. The design is quiet and confident, allowing the work to speak without exaggeration. For organisers and partners, the site provides a reliable reference point for assessing his capabilities. For Hazza, it is a stable system that can evolve as his experience grows.
The final portfolio gives Hazza a dedicated home for his work. It communicates his responsibilities clearly and shows the scale of the productions he contributes to. The design is quiet and confident, allowing the work to speak without exaggeration. For organisers and partners, the site provides a reliable reference point for assessing his capabilities. For Hazza, it is a stable system that can evolve as his experience grows.


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